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LetвЂ™s do it again, and this time, Jeremy, maybe donвЂ™t play the kazoo in the middle of Frank LangellaвЂ™s monologue,вЂ™В вЂќ Sorkin said.

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вЂњBut there were two hundred people in that scene and another seventy on the crew, so I declined to spray them with poison gas.вЂќ Between takes of the trial scenes, in which the Yippies mock Judge Julius Hoffman, played by Frank Langella, Strong would read aloud from LangellaвЂ™s memoir in silly voices, and he put a remote-controlled fart machine below the judgeвЂ™s chair. вЂњI donвЂ™t like saying no to Jeremy,вЂќ Sorkin told me. Last year, he played the Yippie activist Jerry Rubin in Aaron SorkinвЂ™s film вЂњThe Trial of the Chicago 7.вЂќ While shooting the 1968 protest scenes, Strong asked a stunt coГ¶rdinator to rough him up he also requested to be sprayed with real tear gas. HeвЂ™s playing it like heвЂ™s Hamlet.вЂќДЄctors try to find the real in the make-believe, but anyone who has worked with Strong will tell you that he goes to unusual lengths. вЂњBecause heвЂ™s not playing it like a comedy.

вЂњThatвЂ™s exactly why we cast Jeremy in that role,вЂќ McKay told me.

When I told Strong that I, too, thought of the show as a dark comedy, he looked at me with incomprehension and asked, вЂњIn the sense that, like, Chekhov is comedy?вЂќ No, I said, in the sense that itвЂ™s funny. When I asked Strong about the rap that Kendall performs in Season 2, at a gala for his father-a top contender for KendallвЂ™s most cringeworthy moment-he gave an unsmiling answer about Raskolnikov, referencing KendallвЂ™s вЂњmonstrous pain.вЂќ Kieran Culkin told me, вЂњAfter the first season, he said something to me like, вЂIвЂ™m worried that people might think that the show is a comedy.вЂ™ And I said, вЂI think the show is a comedy.вЂ™ He thought I was kidding.вЂќ Part of the appeal of вЂњSuccessionвЂќ is its amalgam of drama and bone-dry satire. ThatвЂ™s when he got the call that the вЂњSuccessionвЂќ people had cast Kieran Culkin as Roman. вЂњIt was a devastating experience.вЂќ (Bigelow says that the character wasnвЂ™t working in the story after Strong pleaded with her, she came up with another part for him, as an attorney.) Then he flew to Denmark to get married, staying at a castle called Dragsholm Slot. вЂњI was just not the character that she had in her mind,вЂќ Strong said. He arranged to miss part of his wedding-week festivities for the filming. That August, Strong, who was living in Los Angeles with his fiancГ©e, went to film вЂњDetroit.вЂќ He had done deep research for the role, watching military documentaries and practicing marksmanship at a shooting range. I could do something that I hadnвЂ™t done before.вЂќ вЂњI thought, Oh, wow, Roman is such a cool part,вЂќ Strong said. McKay gave him the pilot script and said, вЂњTell me what role you connect with.вЂќ Strong picked Roman Roy, the wisecracking youngest son of Logan Roy, a Rupert Murdoch-like media titan. In 2016, Kathryn Bigelow, the Oscar-winning director of вЂњThe Hurt Locker,вЂќ cast him in a big role, as a National Guardsman in her film вЂњDetroit.вЂќ Around the same time, Strong had lunch with Adam McKay, who had directed him as a financial analyst in вЂњThe Big Short.вЂќ McKay said that he was executive-producing a new HBO show called вЂњSuccession,вЂќ which he described to Strong as a вЂњKing LearвЂќ for the media-industrial complex. And you get used to people not noticing.вЂќ вЂњYour focus just becomes about the work and trying each time to go to some inner ledge. вЂњYou come to New York, and youвЂ™re doing Off Off Broadway plays, and you are in the wilderness,вЂќ Strong told me, of his early career. But, as he approached forty, he felt that his master plan wasnвЂ™t panning out-where was his Benjamin Braddock, his Michael Corleone? By his mid-thirties, after fifteen years of hustling in the industry, heвЂ™d had minor roles in a string of A-list films: вЂњLincoln,вЂќ вЂњZero Dark Thirty,вЂќ вЂњSelma,вЂќ and вЂњThe Big Short.вЂќ HeвЂ™d played a staffer in both the nineteenth-century White House and the twenty-first-century C.I.A. By his early twenties, he had worked for all three men, and had adopted elements of their full-immersion acting methods. He read interviews that his heroes gave and, later, managed to get crew jobs on their movies. When Jeremy Strong was a teen-ager, in suburban Massachusetts, he had three posters thumbtacked to his bedroom wall: Daniel Day-Lewis in вЂњMy Left Foot,вЂќ Al Pacino in вЂњDog Day Afternoon,вЂќ and Dustin Hoffman in вЂњRain Man.вЂќ These werenвЂ™t just his favorite actors: their careers were a road map that he followed obsessively, like Eve Harrington casing out a trio of Margo Channings.

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